Sunday, March 11, 2018

Tonight and Every Night (1945), 7+

A photographer for Life magazine comes to London to do a story on a local theater troupe which never missed a performance during World War II. Flashbacks also reveal the backstage love ... 
1h 32min | Musical | 9 January 1945
Director: Victor Saville
Stars: Rita Hayworth, Lee Bowman, Janet Blair, Marc Platt, Florence Bates.
Jack Cole ... choreographer
Val Raset ... choreographer

http://www.imdb.com/title/tt0038178/

In the Tap! Appendix for Marc Platt, and he does tap a little. We get lots of dancing in this film, but not much tap.

Spotted Shelley Winters as one of the girls backstage; her character has a name, so maybe she spoke.

Numbers (13 chapters, menu with images and only digits to label them):

  • ch1. What Does an English Girl Think of a Yank?, Sung by Rita Hayworth (dubbed by Martha Mears), Danced by Rita Hayworth, Jack Cole and dance chorus. (I wouldn't recognize JC.)
  • ch2. Largo al factotum from "The Barber of Seville", Danced to by Marc Platt flamenco-style; he dances to other things in this scene (audition), including a Hitler speech. One of the segments is jive, where he does the splits a couple of times. After his audition, we get a montage of his growing success, dancing with JB & RH.
  • ch3. You Excite Me, Sung and Danced by Rita Hayworth (dubbed by Martha Mears) 
  • ch6. The Boy I Left Behind, Sung by Rita Hayworth (dubbed by Martha Mears) and Janet Blair 
  • ch7. Tonight and Every Night, Sung by Janet Blair
  • ch9. Cry and You Cry Alone, Sung by Rita Hayworth (dubbed by Martha Mears), Danced by Rita Hayworth, Marc Platt and chorus 
  • ch10. Anywhere, also played on xylophone by Professor Lamberti with Rita Hayworth dancing in the background 
  • ch11. Anywhere, Sung by Janet Blair 
  • ch12. Tonight and Every Night, Sung by Rita Hayworth (dubbed by Martha Mears) in film's finale 

Although I remembered the plot and knew the bad thing that would happen, it still got to me.

I don't like the love quadrangle, because I don't like Lee Bowman (in general). And for a while it looked like MP was leaning toward JB, but then he fell for RH, leaving JB unrequited. Very messy.

Columbia, dir. Saville; 7+